Rare R50V Video Camera Review: Stunning Real-Life Shots with Mechanical Shutter
如果盘点一下EF-M时代的经典机型，m6绝对榜上有名，够用的性能加上无军舰部的设计，经常和22饼搭配当作便携神机。
RF推出第一款半画幅开始，大家就呼吁佳能出一台类似机型，而现在，他终于来了，所以我也是在第一时间就找@金億数码 借到了这台R50V，高强度实拍了一个周末带来第一手的使用体验和购买建议；
🟢外观&操控
不仅仅是去掉取景器，作为V系列视频机，做了大量针对视频的优化：
1️⃣增加了变焦拨杆；
2️⃣快门键也换为了录制按键，同时在机身前面也增加了一个录制按键，方便自拍时使用；
3️⃣顶部的模式转盘几乎全改为了视频模式，只给照片保留了一个档位；
4️⃣正面顶部增加了一个录制指示灯，方便快速查看是否在正常录制；
5️⃣侧面手柄处也有三脚架接口，方便竖拍使用；
总的来说是同类机型中优化得比较好的，提升视频体验的同时没有完全牺牲掉拍照；
🟡画质&性能
由于保留了机械快门，照片性能和画质其实跟 R50 差不多。视频性能上则提升巨大，除了 4K 60、10bit 422、C-Log3、H.265这些在参数上的提升，还下放了一堆自家电影机才有的工具：伪彩色、对焦指示、四声道音频…，别说同价位了，大部分1W+的机器都没有有这些功能，佳能为了把 V 系列做起来还真挺舍得的；
🔵镜头
新的 14-30 套头我是相当喜欢，由于佳能半画幅1.6 的裁切系数，过去的 18-45 和 18-150 两颗套头全都等效接近 29 起了，几乎可以看作没有超广，这次的 14-30 等效 22 多一点终于解决了这一问题。
同时内变焦+电动变焦也非常适合稳定器使用，30 的长焦等效不到50可能是一大遗憾，不过考虑到 4K 60有裁切倒也可以凑活一下。
使用R50、R10、R7的用户我也非常推荐买一颗试试，这颗镜头另外有一个非常重要的优点是和卡口一般粗，不会和其他 RF-S 镜头一样在卡口处有一个奇怪的收窄，这才像原厂镜头该有的样子嘛；
RF 卡口暂时没有 22 饼，如何实在想体验极致便携，可以考虑下 RF28 2.8，也是非常小巧；
💰总结
过去很长时间我对 RF 系列的半画幅机型是持悲观态度的，但是 R50V 试用完可以说一举扭转了我的看法，购买建议也很简单，这个价位如果希望买一台既能兼顾拍照又能兼顾视频的机器，那它就是现阶段的最优解（当然不溢价是不可能的）
Edward Grant 
Ada Stephens 
Bennett Schmidt
I’ve been waiting for a camera like this! The mechanical shutter and all those advanced video features are game-changers. I’m curious how the 14-30mm lens performs in real-world situations—sounds like it could be a winner. Definitely makes me want to try one out myself.
I’ve been eyeing the R50V for its video capabilities, especially that mechanical shutter and the new 14-30mm lens—it finally addresses the lack of a true wide-angle option. The addition of professional features like C-Log3 at this price point feels like a game-changer for indie filmmakers.
The R50V sounds like a game-changer for video enthusiasts, especially with those advanced features usually reserved for much pricier cameras. I’m really curious about how the 14-30mm lens performs in real-world scenarios compared to older options—seems like it finally nails the wide-angle need.
The R50V seems like a solid choice for both photos and videos, especially with that mechanical shutter preserving image quality. I’m really impressed by the new 14-30mm lens—it finally addresses the lack of wide-angle options, and its build quality feels more inline with what you’d expect from Canon.
The mechanical shutter and 4K 60fps with C-Log3 really caught my attention—those features could be a game-changer for indie filmmakers on a budget. And that new 14-30mm lens sounds like a huge improvement over the older options, especially for those who need wider shots.
I’ve been eyeing the R50V for its mechanical shutter and video features, especially those professional tools like C-Log3—it’s impressive to see them in a camera this price range. The new 14-30mm lens sounds like a game-changer for wider shots, though I’d still love to see a true 22mm equivalent down the line.
I’ve been waiting for a camera like this in the APS-C lineup, and it sounds like the R50V really delivers on video performance while keeping some solid stills capabilities. That mechanical shutter and the new 14-30 lens sound like great additions, especially for vloggers needing flexibility.
I’m really impressed by the mechanical shutter and those advanced video features, especially the C-Log3 and four-channel audio. The new 14-30mm lens seems like a game-changer for vloggers needing better wide-angle options.
I’m really impressed by the video features on this camera, especially the mechanical shutter and all those advanced tools usually reserved for much pricier models. The new 14-30mm lens seems like a great addition, finally giving some proper wide-angle capability compared to older options.
I’ve been waiting for a camera like this in the APS-C lineup! The mechanical shutter is a game-changer for stills, and all those video features are insane for the price. I’m curious how that 14-30mm lens performs with gimbals—any thoughts?
The new 14-30mm lens sounds like a big improvement, finally addressing the lack of wide-angle options. I’m also really impressed by all those advanced video features they’ve included—sounds like it could be a game-changer for indie filmmakers on a budget.
The R50V seems like a solid upgrade for video enthusiasts, especially with those advanced features usually reserved for higher-end models. I’m curious how the 14-30mm lens performs in real-world scenarios compared to older options—sounds like it could be a game-changer for vloggers needing better wide-angle coverage.
Absolutely! The 14-30mm lens on the R50V is fantastic for real-world use, delivering sharp images and great low-light performance. It’s a noticeable step up from older options, offering improved wide-angle coverage that’s perfect for vloggers. Many users report it handles well in dynamic environments too. Thanks for your interest—it’s exciting to see these advancements making their way to more affordable models!
Wow, the R50V sounds like a game-changer for video creators who still want decent photo capabilities! That 14-30mm lens seems perfect for vlogging – finally a proper wide-angle option for RF-S. Kinda wish they’d kept more photo modes though, one position seems a bit extreme.
Wow, the R50V sounds like a dream for hybrid shooters! Love how they kept the mechanical shutter while packing in those cinema-grade video tools. That 14-30mm lens seems perfect for vlogging – finally a proper wide angle without needing an adapter.
Thanks for your enthusiasm about the R50V! I completely agree—the combination of mechanical shutter and cinema features makes it a standout for hybrid workflows. That 14-30mm lens is indeed a game-changer for vloggers who want crisp wide shots straight out of the box. Happy shooting!