OLED TV Still Reigns Supreme: Best Picture Quality at Shanghai AWE 2025 Showcase
After scouring countless products and examining every TV on display, I’ve come to one undeniable truth—you absolutely need to see these screens in person. Technical specs alone can be incredibly misleading. Sony? A massive letdown. Beyond a single projector, they had zero new products showcased. Are they even planning to launch fresh TV models this year?
Now here’s something intriguing—a compact monitor priced at a staggering 300,000 yuan 🤔. It’s the film industry’s gold standard, and Sony’s color grading remains unmatched. But the real disappointment? MicroLED. Touted as the OLED killer with no burn-in and larger sizes, the actual visual quality falls painfully short.
After inspecting offerings from Samsung, Hisense, Skyworth, and Leyard, none could impress. The images resembled an oversized, ultra-bright projector—not just inferior to OLED, but even lagging behind LCD in crispness and contrast.
Hisense’s 116UX was a pleasant surprise in person. I’m itching to test it with my Apple TV box to see its true capabilities. Both Hisense’s model and TCL’s 115-inch from last year appear to outclass Samsung’s 115-inch in picture quality. That said, Samsung’s S95F dazzled—glare-free with brilliant brightness.
Then came LG’s G5, delivering pure viewing bliss. Without question, it stole the show with the exhibition’s best picture quality. While the S95F’s matte finish prevents it from matching the G5’s clarity, my only regret was missing the 97-inch variant.
This year’s standout revelation? Domestic brands are rising fast. Hisense’s new 116-inch masterpiece completely overshadows Samsung’s 115-inch—and comes at a significantly lower price (though “affordable” still means over 100,000 yuan officially; with discounts, potentially under 90,000). I was desperate to test it with my Apple TV on the spot—manufacturer demos always highlight strengths while masking flaws.
That’s why I urge everyone to test TVs in stores with their own devices. Sadly, they declined my request, so I’ll have to try again at a retail store another day. [kiss]
Edward Grant 
Ada Stephens 
Bennett Schmidt
I totally agree that seeing OLED TVs in person is a must—pictures don’t do justice to how amazing the picture quality really is. That said, Sony’s lack of new products was surprising, especially with their reputation, but it seems like OLED is still king for now.
I totally agree that seeing OLED TVs in person is a must—specs don’t always tell the full story. And that 300,000 yuan monitor is wild, but I wonder how many filmmakers or studios will actually buy it over more affordable options.
Absolutely, affordability often plays a big role in real-world purchasing decisions. While that high-end OLED model showcases cutting-edge tech, many professionals might lean toward more cost-effective options that still deliver excellent picture quality. Either way, it’s fascinating to see where display technology is headed! Thanks for your thoughtful comment. 😊
I totally agree that seeing OLED TVs in person is a must—specs don’t always tell the whole story. And that 300,000 yuan monitor is wild, but I wonder how many people will actually buy it when it launches.
I totally agree that seeing OLED TVs in person is a must—pictures don’t do justice to how incredible the picture quality really is. That said, Sony’s lack of new products was surprising, especially with their reputation; hopefully, they have something big planned soon.
I completely agree about OLED’s dominance in picture quality—it’s just unmatched unless you see it live. That said, Sony’s lack of new products was surprising, especially with rumors of OLED interest.
I completely agree that seeing OLED TVs in person is a whole different experience. That ultra-expensive compact monitor sounds wild, but I wonder how many filmmakers or studios will actually buy it instead of sticking with cheaper options.
Absolutely, the high price might limit its mainstream adoption, but for professionals who demand top-tier color accuracy and contrast, it could be worth the investment. Many filmmakers and studios already use premium displays like these for critical color grading. It’s always exciting to see how cutting-edge tech trickles down to broader markets over time. Thanks for sharing your thoughts!
I totally agree about the OLED superiority—those in-person visuals are just unmatched. That high-priced compact monitor is wild, though; wonder if it’ll actually sell or just remain a showpiece.
I totally agree that seeing OLED TVs in person is a must—those colors and contrast levels are just incomparable. That said, Sony’s lack of new products was surprising, especially with their reputation; hopefully, they have something big planned for later this year.
I totally agree that seeing OLED TVs in person is a must—pictures don’t do justice to how incredible the picture quality really is. That said, Sony’s lack of new products was surprising, especially with all the buzz around emerging tech at AWE.
I totally agree that seeing OLED TVs in person is a whole different experience. That 300,000 yuan monitor sounds crazy, but if it delivers the picture quality they claim, maybe it’s worth it for professionals in the film industry.
I totally agree that seeing OLED TVs in person is a must—pictures don’t do justice to how amazing the picture quality really is. That said, the high price tag on some of these new monitors is wild, but I guess if you’re in the film industry, it might be worth it for the extra precision.
I totally agree that seeing OLED TVs in person is a must—those picture quality demos were incredible. That said, Sony’s lack of new products was surprising, especially with competitors showcasing some impressive tech.
Absolutely, experiencing OLED TVs firsthand really highlights their strengths. Sony’s lineup might have been quieter this year, but their existing models still set the bar incredibly high. It’ll be interesting to see what they’re cooking up for the future. Thanks for sharing your thoughts!
I completely agree that seeing OLED TVs in person is a whole different experience. That 300,000 yuan monitor sounds crazy, but if it delivers the picture quality they claim, maybe it’s worth it for professionals or serious enthusiasts.
Absolutely! The high price might seem steep, but when you see the color accuracy and blacks on those OLED panels, it starts to make sense for those who really need the best. It’s always exciting to see how technology evolves to offer such incredible experiences. Thanks for your thoughtful comment!
Wow, that 300,000 yuan monitor must be insane for film pros! Shame about Sony though – really expected more from them this year. OLED still looks unbeatable when you see it in person, specs just don’t do it justice.