Best Fuji Sony Panasonic Cameras to Buy in 2025 | Expert Recommendations

As 618 approaches, many manufacturers are planning to unveil new models in the coming days. Today, we’ll take a look at some of these upcoming releases in chronological order, discussing their upgrades and positioning. If you’re considering purchasing one of these cameras, it might be worth keeping an eye out for more details:

—

**📷 Panasonic S1 II and S1 II E**

The S1 II’s standout upgrade lies in its partially stacked sensor, which is expected to deliver uncropped 4K at 120 frames per second. This improvement should significantly reduce the jello effect—a common issue with earlier models like the S1 and S5 series. Additionally, the switch to the same platform as the S1R2 will enhance support for still photography features such as flash compatibility and tethered shooting.

Overall, the S1 II’s updates align well with user expectations. However, leaks suggest a price tag of €3,500, compared to the S1R2 at $3,599 (approximately ¥22,000 domestically). At nearly ¥20,000, the S1 II risks becoming an awkward middle-ground option—especially when competing models like the Z6 III have already dropped to around ¥14,000 without discounts.

Nikon also holds an edge in lens variety and still-image performance, meaning Panasonic’s video-focused improvements may not justify a premium of over ¥6,000. It’s likely the S1 II could become another annual price-drop contender, so if you’re considering an early purchase, it might be wise to wait a bit longer.

Meanwhile, the S1 II E raises even more questions. Historically, the S1 series distinguished itself from the S5 line with features like longer battery life and professional-grade shoulder screens. But now, the only apparent advantage of the S1 II E over the S5 II seems to be its more robust card slot design. Could this mean Panasonic plans to phase out the S5 II entirely? As a long-time Panasonic user, I find the S1 II E underwhelming and difficult to get excited about.

—

**📷 Sony A7CS**

Details on this model remain scarce, but what we know so far is that its form factor resembles the A7C, featuring a flip-up EVF similar to Panasonic’s GX9.

This machine leaves me puzzled—it’s unclear how replacing the EVF alone differentiates it from the A7C2. Perhaps more insights will emerge closer to its release date. If so, I’ll make sure to update the comments section with the latest information.

—

**📸 Fujifilm X-Half**

This camera has been generating buzz lately, thanks to its unique combination of features: a vertically oriented 1-inch sensor, a fixed 27mm-equivalent lens, an optical rangefinder viewfinder, a film-advance lever, a dedicated film simulation display, and rumored full emulation of classic film camera operations.

It’s easy to predict the polarized reactions this device will spark: one camp waxing poetic about nostalgia and ritual, while the other critiques its lack of modern functionality compared to smartphones. Despite—or perhaps because of—its quirks, I’m definitely intrigued enough to pick one up for fun.

After all, I already own plenty of high-performance, professional-grade gear, and truly distinctive cameras like this don’t come along often. For casual users, my advice would be to consider picking up a used unit years down the line when prices stabilize.

—

That’s all the information available for now. If any new rumors surface, I’ll keep the comment section updated accordingly. Stay tuned!